L'anabase is a multidisciplinary pilgrimage that intertwines myths of exiled icons with contemporary Mediterranean women's voices, reimagining a plural female iconography across fragmented lands and stories.

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Rizomm is a biophotographic installation where buried photosensitive films, shaped by the soil and its living organisms, trace a dialogue between landscapes, memory, and the cyclical relationship between earth and image.

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Reverb is a project that bridges distant events and locations through a photographic archive, a musical score, and sound installations, exploring the relationship between time, geography, and the dialogue created by repetition and variation.

Cremisan Herbarium is a collaborative project blending art, ecology, and memory, using plants from the Cremisan Valley to explore resilience, belonging, and the living landscape's role in Palestinian identity.

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Corps Opérateurs est une édition imprimée en risographie qui dénoue le corpus d’images en tissant un lien entre l’archive et le corps.

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Participation à une résidence artistique organisée à l’occasion de la première édition de Bruma, un festival audiovisuel d’une durée de 3 jours ayant lieu à Silva Jardim au Brésil.

(un)bias est une installation gonflable visant à accueillir une étude scientifique du CNRS autour des biais cognitifs.

Po(AI)mes est un recueil de sons, d’images et de poèmes générés par une intelligence artificielle à partir  d’une captation visuelle et sonore en temps réel, ainsi que d’un texte et un ensemble d’images d’archives argentiques asynchrones.

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Itinéraires is a three-part installation reflecting on the impossibility of movement in the West Bank, weaving digital archives, photography, sound, and sculpture to map the fragmented journeys and daily navigation of Palestinians under occupation.

Atopos is a fractured limestone sculpture and aeolian harp that bridges landscapes, myths, and memory, giving voice to a silent Marian icon exiled across the Mediterranean, while embodying the tension of restricted movement and absence.

The Body I Once Climbed is a video and performance installation that parallels the physical and symbolic boundaries of bodies and landscapes, portraying two dancers' attempts to connect across cliffs in Greece and Palestine, while reflecting the porosity of borders through movement and surveillance.

The artist Sasha Shadid responds to the wall separating Israeli and Palestinian territories through dance and movement in a film that blends his narrative with the voice of Syrian singer Lynn Adib.This work was created during the Sounds of Places residency, which took place at Wonder Cabinet / Radio alHara in April and May 2024 in Bethlehem, Palestine.

What if we considered images as living organisms? Ongoing research blending artificial intelligence and experimental photographic processes conducted at Central Saint Martins (London, UK) and at the Wonder Cabinet (Bethlehem, Palestine).

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Panser la tribologie des images (en cours) où l’espace d’exposition fait image en convoquant de manière poétique les notions d’assemblage et de tissage.